Fundacion Ninos de los Andes works with street children. They help get the kids off the streets and rehablitate them in the hopes of reintergrating them into their homes. They also work to defend their human rights. Volunteers can either work with the children teaching them different activities or conducting classes on different themes. A second option is to work in the managerial portion of the foundation, publicizing the charity doing office work etc. Both programs are highly supervised by the charitie's staff. Volunteers must make a commitment of at least one month, have a good handle on Spanish, be familiar with Colombia and be between 20 and 50.
info@ninandes.org
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I love sieotrs like this. It's always nice to have your faith in the kindness and goodness of people (and the usefulness of technology) restored![]
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Hi Rosemary,Thank you for updating me on missing classmate Richard Wells. You were right that he was not inthe class of 1962. I had recently emailed his brother Dan, and he informed me that Richard hasbeen teaching and living in China the last six years.Regard, Charlene (Demonet) Fisher
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Aww, love this. That sweater is fabulous (and so are you!). I have a sweater that's quite faded and several sizes too big, but it's gone through three generations of women in my family and although my mom keeps egging me to get rid of it I don't think I'll ever be able to.
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Hazel thanks for your note. (LOVE The Sartorialist!!). All black is often the default colour because it's the easier to unify (imagine an ensemble full of slightly different shades of red), it's easy on the eyes, and the audience tends to focus more on the music than if the ensemble were wearing different colours. The problem with saying go for it, wear any colour is what one person considers stylish another will consider completely inappropriate. There there's the issue of colour clashing. And in classical music, there are known stereotypes about what kind of dress is associated with certain types of music. Opera performers (and audiences) tend to go all out with style and flamboyance; Baroque performers (and audiences) tend not to consider fashion a big deal and are very low-key with their apparel. Ultimately, no, I don't think ensembles should be able to wear any colour; then it looks like a rehearsal.
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Once upon a time, I turned pages for Jamie when he performed the Kreutzer Sonata at a studio class. This was before I played it myself, so I was unfamiliar with the theme & variations movement. There's one particular variation which is 2 straight pages of 16th notes, and 2 repeats. I made the mistake of glancing away from the page for a second, and discovered to my horror when I looked back that I couldn't remember a) where we were, and b) whether we had done the repeats. I ended up half-standing & hovering for what seemed like an eternity, with Jamie kindly giving me subtle no shakes and finally a clear yes nod.Then there was the time that I turned for a friend playing in a vocal recital @ Scotiafest. He asked me at the last minute as a favour, so I accepted, forgetting that I was battling the remnants of a nasty cough. There's nothing like being on stage and NOT BEING ALLOWED TO COUGH that will make you want to cough up a lung. I managed to get through the entire thing without once coughing during a piece, but then had a friend in the audience comment on the odd expression on my face at various times.
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Starting June 4th and every Saturday Tower Group 8pm meeting will be a step study/step doing.For those interested in going through the steps while we study the steps I'll be more than glad to assist you.Bring a 1 or 3 subject spiral notebook,pen,highlighter and your Big Book.This is going to be fun as well as a new experience.Yes We have entered the world of the Spirit.Our next function is to grow in understanding and effectiveness.
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